Tag Archives: christmas

What Child Is This?

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This past Wednesday evening, during our Children’s Christmas service here at Our Savior Lutheran Church in Hartland, Michigan, I found myself unexpectedly undone by one of my favorite Christmas hymns. Those who know me might say, “That happens to you with lots of hymns, Pastor.” Ah, yes, it does. But it only happens when exceptionally well-written hymns are played as they should. “What Child Is This” is one of those hymns.

Our relatively new Kantor, Dr. Richard Newman, had been rehearsing the hymn with the children over the past few weeks. But he’d been playing it plainly and without any noticeable flourish. I don’t mean that as a critique. Kantor Newman is a gifted musician. I mean, he holds a doctorate in his craft, and no one earns one in such fields without peerless skill. Besides, anyone with ears can tell he has far more in reserve than what any given Sunday hymn page he’s navigating allows. That said, and considering the context, he’d been playing somewhat plainly for a reason—to lead the children. He was giving the 130 or so students surrounding him in the choir loft a melody sturdy enough to carry their voices.

Now, I don’t like to drop changes on anyone before a worship service. However, not long before the service, I mentioned to him, pretty much in passing, that if he felt inclined, he could let loose a bit during the second stanza of “What Child Is This,” especially during the lines that actually sit in the hymn’s middle—the lines drawing our attention to the Lord’s inevitable passion.

“Nails, spear shall pierce Him through,
The cross be borne for me, for you.”

I’ve written about those lines at Christmastime before, encouraging people to listen carefully during the hymn, if only their church musicians would play it. Those lines are by no means incidental. Again, they sit squarely at the hymn’s center, literally. Look at the words on the page to see for yourself. But even theologically, they are the hymn’s pivot. Everything before them asks the identity question posed by the hymn’s title. Everything afterward answers with an awareness overcome by strict solemnity—if only the one playing the hymn can get it right. If they do, the lines refuse to allow Christmas to remain sentimental or mushy. Instead, they insist that the Child in the manger, that cooing infant so dearly loved by His mother and adoptive father, has come for one purpose and one purpose only. He will bear our sins on the cross. Nails will tear into and through Him. A spear will be rammed through His side. He will die. It will be terrible. But He will do it—endure all of it—for me, for you.

That reality deserves something more than a simple tune.

Even while I was making the request of Kantor Newman, he was smiling. He then said something to the effect that what I was asking for had a name in the organ world. It’s called text painting. It’s the practice of allowing the music not merely to accompany the words, but to interpret them—to embody them.

Now that I know what he’s talking about, I’m willing to go even further and say it means to let the music preach the words.

And during the service, Kantor Newman did precisely that.

Rolling into the second stanza, the organ changed. It wasn’t loud for the sake of volume. It was expressive for the sake of the text’s actual weight. Our Kantor began building. And the music pressed into the text’s weight in a way that made it seem like the organ was rising into the rafters to play alongside beings we could not see but were nevertheless there. In that moment, for as much as I wanted to sing along, I couldn’t. My jaw tightened, and my throat shrank a little. And had our church’s Christmas tree not been hiding me, I’m sure anybody watching would’ve noticed my inability. I was overcome, even to the point of shedding a tear down my right cheek. For the record, the feeling was familiar. Our former Kantor, Keith Vieregge, could do this with certain hymns, too. I can barely get through “Stricken, Smitten, and Afflicted” with him at the helm.

But regardless of who’s painting the text, such moments capture something essential to Christmas, and it’s something I think too many work very hard to avoid.

We like our Christmas to be gentle. We appreciate it safely wrapped in glistening décor and candlelight. We prefer shepherds and angels and Dickens-like Christmas scenes. And those things are nice. They belong. But if Christmas never takes us beyond the wonder into the weight that the second stanza of “What Child Is This” brings, then I think we’re misunderstanding it entirely.

Grammatically, the hymn’s title is a question. But it’s not a rhetorical one. It’s asking the same question now in the Lord’s infancy that, when He grew and began to speak, He’d ask of others at various times and in various ways throughout His earthly ministry. Inherent to almost every question Jesus asked along the way is the much deeper inquiry, “Who do you say that I am?” (Matthew 16:15). Whether it’s Jesus replying to His mother at the wineless wedding at Cana, “What does this have to do with me?” (John 2:4), which is to acknowledge she knows He can do something to help; or to His disciples on the treacherous sea, asking them, “Why are you so afraid?” (Matthew 8:26), which is to invite trust in the One who’s in the boat beside them. “What child is this?” is another of these questions, showing that Christmas is not immune to concern for the answer.

The hymn refuses to let us stop at the manger and then be on our way. It doesn’t allow us to marvel at the Christ Child without reckoning with the man He becomes—with what He actually came to do. In other words, we risk Christmas being emptied of its principal joy if we don’t know the deeper “who” and “why” of the Child. The incarnation is not just a moment on the timeline that we observe and then carry along to other things. It is this world’s interruption. It is God’s plan moving decisively forward.

That is why the second stanza matters so much. Again, it is the epicenter of the hymn. It has to be. That’s because it’s the epicenter of Christmas. And I dare say William Dix, the hymnwriter, proved that he knew it.

For me, this is where text painting becomes far more than a musical technique. It becomes a theological confession of what the whole congregation must know is true. It’s the same reason certain words are chanted during a service, and some are not. Chanting draws attention to something significant and, by its form, ensures it is heard crisply and clearly. When music leans into the meaning of the words, it reminds us that truth is not only something to be stated; it is something to be immersed in fully. Another way to say it (and any church musicians out there reading this, feel free to correct me), I’d say good church music doesn’t manipulate emotion. It aligns it. It brings heart and mind, body and soul, into harmony with something real.

Last Wednesday, during the Children’s Christmas service here at Our Savior Evangelical Lutheran Church in Hartland, Michigan, “What Child Is This” was sung. But I dare say that, with the school children singing and some exceptional text painting by our very gifted Kantor, the Gospel was amplified in ways that made even the angels jealous. If anything, Gabriel and his pals were smiling through the whole evening. And any mortal human being who was listening—really listening—would’ve sensed that the cross is always the best lens for observing Christmas. The joy we experience at Christmas is a costly joy. It knows the world is not safe. It knows sin and death are no small things. It knows Satan is strong. And yet, the Lord entered into and against all these enemies anyway, and He did so to make sure we are not inheritors of this world—that we are not sin’s, death’s, or Satan’s captives. Instead, these are conquered and destroyed, and we are inheritors of the world to come and eternal citizens of the Lord’s blessed kingdom.

I’m looking forward to singing the hymn again on Christmas Eve. Desperately, so. I sure hope you get to sing it at your church, too.

The Place Where Only Christians Can Live

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I would usually sleep on the cot in my office at the church on a snow-laden day like today. But not this time. I slept in my own bed at home last night.

For one, I prefer to make sure everything remains in good working order throughout the night, namely, that the heat and power continue uninterrupted. I also prefer not to be the only one out on the unplowed roads at 4:00 in the morning. And that’s precisely what they were on the way in. As the years go by, it seems less thought is given to the churches—to the fact that God’s people are still gathering, still trying to make their way to worship. I get the sense that Sunday morning simply isn’t factored into anyone’s plans anymore, certainly not the folks deciding what gets plowed first.

Still, in all of Our Savior Evangelical Lutheran Church in Hartland, Michigan’s 70 years, we’ve never canceled a service. Not once. And it certainly isn’t going to happen on my watch. So, rest assured, the lights are bright. The heat is on. The Lord’s gifts of Word and Sacrament will be given, no matter how many gather to receive them.

The holy season of Advent begins today. That means Christmas is coming. And yet, last weekend at an event anticipating Christmas—a Christmas tree-lighting ceremony in downtown Chicago—shots rang out, resulting in one dead and eight seriously wounded. That same night, in Concord, North Carolina, another tree-lighting ended in gunfire. Four were shot. Three of the victims are still in critical condition.

Violence in Chicago is a pretty standard thing. It’s one of the most dangerous cities in America. Concord, North Carolina, not so much. In fact, it ranks among the safest cities in America. Safe or not-so-safe, what makes all of this stand out is the setting. Although Christmas trees no longer mean to most what they’re supposed to mean. The whole point of a Christmas tree is Jesus—or at least it used to be, way back when Christian communities looked to the evergreen as a reminder of life in Christ during winter’s deathly season. But now, it’s little more than a seasonal prop stripped entirely of its sacred center. Still, public tree-lighting ceremonies continue to be celebratory opportunities, and if anything, a warm assumption of community. That’s nice. But it obviously isn’t enough. Not when dreadfulness suddenly intrudes. And in the end, that may be the most sobering point of all. Whether you live in a city known for violence or one praised for its safety, dreadfulness always finds a way in. And then what? I only ask this question having read some of the words from victims’ families, which I’ll get to in a moment.

In the meantime, I’ll simply say that sin can and will fracture anything devoid of Christ. When Christ is removed, wherever He once was is instantly hollow. An empty object is a fragile object. It certainly has no power to restrain real darkness. But that’s because Christ is missing, and He’s the only One who can carry us through times of need. In this sense, last weekend’s violence during the Christmas tree-lighting ceremonies served as a kind of grotesque sermon, reminding all of us how Christological substance is desperately needed in our lives, and how humanity just cannot manufacture it, not even through seasonal civic ceremonies that look and feel nice but in truth are entirely devoid of real meaning. This brings me back to Advent.

For the churches that observe Advent—and I mean, actually observe it—we know the centuries-old pre-Christmas season is by no means hollow. We know its language and sense. It’s a penitential time, one that acknowledges sin’s dreadful grip. And yet, Advent stakes a firm claim in hope as it simultaneously looks backward to the Rescuer who came at Christmas, and also forward to that same Rescuer’s promised return at the end of days. As we Confessional Lutherans tend to say, it’s the kind of hope that knows the fullness of God’s promises in the “right now” but also the “not yet,” all at the same time.

This weird tension is essential to Advent. It names sin honestly. It knows the situation is dire and, therefore, refuses to minimize the brokenness responsible for the violence we saw last weekend. But it does this while anchored in what Christ has done, is doing now, and will continue to do. That’s Christian hope. Christian hope is not some hollow form of vague optimism. That’s what happens at civic tree-lighting ceremonies. Advent’s longing is a deliberate, time-spanning trust that the same Savior who entered history will keep His promises, one of which is to return to set everything right. That makes Advent far more than a season that’s waiting for Christmas, but one filled with holy confidence rooted in history, promise, and unquestionable fulfillment.

That’s a place where only Christians can live.

By the way, this is not a claim of moral superiority. It’s one of theological location. To live in the “right now but not yet” requires faith. Only those who have heard God’s promise in Christ and, by the power of the Holy Spirit, believe, can stand in the middle of that tension without being crushed by it. It is a narrow place. But in its narrowness, there’s a freedom the world cannot replicate. It tries. But it just can’t do it.

Remember, Christians started all this decorating stuff. We decorated evergreens, lit candles, and hung lights. We sang ancient hymns that communicated the Gospel’s backward and forward perspective. We still do it. The world has similar traditions this time of year. It decorates evergreens, puts up light displays, and sings its holiday songs. But between the two spheres is a strict separation. Buffeted only by the world’s empty décor, culture’s residents experience what happened in Chicago and North Carolina, and suddenly, their holiday is tainted with despair. I read an interview with one of the Chicago victim’s family members. The woman being interviewed said she may never celebrate Christmas again. Essentially, the memory is too terrible, and now the holiday is, too.

I get how that could be true, especially when your only framework is a sentimental, once-a-year version of joy tied to things that can be ripped away at any moment. When that’s the case, then any tragedy is enough to make every twinkling light or holiday tune feel forever poisoned.

But from the Christian perspective, with Advent’s Gospel in mind and heart, we light candles and hang lights, not to deny the darkness, and not even because the darkness might be scary. We know it is. But we also have no intention of granting the darkness final authority. We keep singing our joy-filled hymns, not necessarily to cope, as though we’re in some starry-eyed form of denial, but as an act of genuine defiance against sin, death, and the devil. We sing because the Gospel has the upper hand, not the darkness, and we know it. And so, we are perpetually hopeful.

I guess one thing I’m saying is that Christian rituals like these, no matter how the world might twist or imitate them, will forever be Christian property. We own them. And because we know better, they’ll always be acts of resistance rather than seasonal sentiment. The evergreen—a plant that keeps its green even when all life around it has come to a frozen halt—for Christians, it’s a visible confession that death does not have the final word. A candle is not mere ambiance for us. It’s a proclamation that Light has entered the world and cannot be overcome. The hymns are not background music, but instead longstanding confessions of the one true faith that has survived the worst this world could throw at it. In fact, the chief hymn appointed for the First Sunday in Advent is proof alone. “Savior of the Nations, Come” was written by Ambrose of Milan. He lived from 340 to 397. And still, here we are, age after age of dreadful violence and persecution, and we’re still singing this great hymn of incredible hope, one that tells the entire Gospel story in eight beautiful stanzas.

This is proof that we own Advent and Christmas.

And so, while the world scrambles to make sense of yet another demonstration of human awfulness, the Church stands where it has always stood at this time—right in the middle of human ruin, all the while holding tightly to God’s promises. We stand there unshaken, proclaiming that this world’s terrors cannot overcome us. The Light of the World has come and is coming again. We know that everything around us is temporary, yet the forthcoming King and His kingdom are eternal. That divine knowledge shapes the entirety of our reality. And that’s that.

Indeed, the world is experiencing a sentimental countdown to a holiday. But that’s not us. Christians continue taking to a sacred battlefield, knowing the ultimate victory has already been accomplished and that the final victory is at hand. And the churches that observe Advent—and I mean, actually observe it—their senses are being honed to this truth.

Summary and Summery are Kin

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A couple of weeks ago, before venturing into Michigan’s dreadful mid-winter cold to retrieve our daughter, Evelyn, from basketball practice, Jennifer called to me, asking, “How do I look?” I came around the corner from the living room to see she looked the winter part. Hat, gloves, and coat—all were in place, as they should be. All except for one detail. She was sockless and wearing her summer flip-flops.

“You look summery,” I said, implying a momentary sense of a far better season’s intrusion.

“It’ll be a quick trip,” she replied, “and I won’t be getting out of the car.”

“Good idea,” I said. “I love you.”

“I love you, too,” she replied, the door closing behind her.

Returning to what I was doing before, I thought how “summery,” a made-up word used to infer summer’s fresh, bright, and relaxed feeling, bore no audible difference to the noun “summary,” which is a word tinged with brevity. In other words, a summary is short. It’s a fuller portion of information distilled into its essential parts, ultimately telling us in brief only what we need to know.

Unfortunately, my mind, already suffering from Seasonal Affective Disorder (SAD), followed my disorder’s doldrums down into a moment of frustration. I thought that summery and summary are kin here in Michigan. Indeed, summers in Michigan are short. They so often feel like barely a synopsis of the season’s essential parts—the warmth, clear blue skies, sunshine, and all that makes summer so wonderful. What other states enjoy at full-throttle for four or five months, we barely get three, if that. I’ve mentioned before that Michigan is one of the states with the fewest number of sunny days. And setting aside for a moment the Upper Peninsula, where it’s entirely possible to have a foot of snow until the end of May, here in the Lower Peninsula, where I live, we’ve had snow dumped on us in the middle of May. Sure, it’s gone just as soon as it arrives. But it has happened. Back in 2016, we had an inch of snowfall on May 15. I remember because I was driving in it, and I recall questioning my geographical life choices.

But enough of my bemoaning about Michigan. As I said, when the door closed behind Jennifer, my SAD kicked in. I have to work hard to overcome those moments. That said, something else happened when I left home the following day.

Before leaving for the office, I sat down at the kitchen table and told Jennifer, “You know, I’m tired of this. I’m going to sit here and drink coffee until the sun comes up, and then, I’ll go.” I went on to explain that I’m thoroughly exhausted by leaving home and returning home in the darkness. This time, I was going to wait for the sun to rise before doing anything. I called out to our Google Home device, “Hey, Google, what time does the sun rise today?”

“The sun will rise today at 8:17 AM,” she answered.

It was 6:30 AM. Still, I insisted I wouldn’t leave until I saw the sun’s rays. Five minutes later, when I stood up to go anyway, Jennifer admitted to wishing she were a betting woman. She knew that sun or no sun, I’d change my mind and muscle through. And so, I grabbed my things, kissed her goodbye, and left.

That morning, I decided to shake things up a little and take a slightly different route, one that had me joining southbound US-23 just a little further north than usual. I’m glad I did because I saw something I wouldn’t have typically seen, and it was refreshingly recalibrating.

On the east side of the highway and just beyond the safety fencing, someone decorated a small evergreen tree with Christmas lights. Being on the highway’s right-of-way, I’m sure no one owns the tree. Not to mention, the tree is quite some distance from any of the area’s surrounding houses. With that, it’s a mystery how the little tree has electricity. Still, there it is, out in the middle of nowhere, all by itself beside the highway, piercing the perpetual Michigan darkness with its twinkling colors.

I had a thought when I saw it.

For as dark as things may seem sometimes, there’s Christmas right out in the middle of all the humdrum. There it is, a beaming reminder of the incarnation of God’s Son for my rescue. Because of His person and work, none of what’s filling the surrounding shadows of this world’s winter is forever, only the divine summer of Christ and my eternal future with Him.

At 70 miles per hour, I didn’t get to see the tree for very long. Within seconds, it was in my rearview mirror until, eventually, it was gone. In that sense, it was only a brief prompt, a summary glimpse of a summery illustration. But what it summarized in that moment was vast and powerful. Against a sunless landscape draped in the blistering chill of Sin, Christ’s arrival remains fixed. He came, and when He did, He turned back the rulers and authorities and the cosmic powers of this present darkness against which we wrestle (Ephesians 6:12). Defeating those dreadful specters, he gave “light to those who sit in darkness and in the shadow of death” (Luke 1:79).

Passing this tree is now my usual route. Whether I’m coming or going in the dark, I want to see it. I like that it’s there, and I’m thankful to whoever is keeping it lit. It’s as if the tree, with its branches glistening cheerfully and waving in the highway winds, is saying to every passerby, “Rejoice! Christ was born for you!”

Colliding With Christmas

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The Thoma family watched “A Charlie Brown Christmas” not long ago. Jennifer bought the DVD. Although, she had trouble finding it. Considering the religious climate in America, I’m not surprised. The Christmas Gospel from Luke 2:8-14 is the cartoon’s essential point.

Asked by Lucy to direct the school’s Christmas play, Charlie Brown goes from scene to scene, becoming increasingly frustrated with the task. Along the way, he sets out to get a Christmas tree for the set. Anyone familiar with Charlie Brown will know how that goes. He gets a rather pathetic tree, one that bends all the way to the ground when a single bulb is hooked to its branches. As the children walk off stage laughing, he snaps, calling out with a shout, “Isn’t there anyone who knows what Christmas is all about?!” Linus steps up to answer, his signature blanket in hand. “Sure, Charlie Brown,” he says, “I can tell you what Christmas is all about.”

Linus asks for the stage lights to be set and then begins, “And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, ‘Fear not. For, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Savior, which is Christ the Lord. And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger.’ And suddenly there was with the angel a multitude of the heavenly host praising God and saying, ‘Glory to God in the highest, and on earth peace, good will toward men.’”

As gently as Linus begins, he turns back to Charlie Brown. With the simplest of childlike innocence, he says so plainly, “That’s what Christmas is all about, Charlie Brown.”

Even though I’ve seen the cartoon countless times, I got a little choked up at that moment. Jen noticed it, but I explained it away. This Christmas special has been aired since 1965. It was a childhood staple for many of us. But now, while you can purchase any imaginable ungodliness, this short video is scarcely available. And why? Because of its message. Its words are, at best, considered quaintly obsolete and uninteresting and, at worst, downright hateful and offensive.

Neither is true. And yet, here we are.

Thinking about these things, the cartoon gave me something else to ponder. It was Charlie Brown’s Christmas tree that came to mind. In short, after Linus’ recitation, the rest of the children gather around Charlie Brown’s miserable tree to decorate it. When they’re done, it’s no longer pitiful but beautiful—the point: the heart of Christmas collided with the children. In turn, the children collided with their surroundings, making them beautiful.

Closer to home, as I do every year, I put up the family Christmas tree. I’ve been assembling the same six-foot tree since Jennifer and I married in 1997. The tree was a wedding gift from Jennifer’s brother. While putting up the tree, its branches looked noticeably thinner this year. With each attempt to fluff and fan them to life, I discovered more and more imitation pine needles sprinkling to the floor. I remember thinking a few years back about how the tree was becoming far too fragile with time. Still, I have not retired it. My reason is simple.

While piecing the little tree together each Christmas, I think, “This will be the last year.” But then the tree collides with the joyful reason for putting it up, and everything about it changes.

When strands of multicolored lights are woven into it, when decades of family ornaments begin filling its branches, when the familiar angel our four children take turns placing at its peak each year is found in its place, almost unexpectedly, the gravity of the tree’s nostalgia becomes cosmic. Suddenly, what was once so pathetically inferior to everything else around it has grown fifty feet tall, making all things within reach lesser by comparison.

Christmas is fantastical that way. Just ask a child. You’ll see.

When it comes to humanity’s collision with Christmas—namely, the Good News at its heart—God desires similar aftereffects (1 Timothy 2:4). He tells us through Saint Paul that the Gospel is “the power of God unto salvation” (Romans 1:16). No wonder the devil has worked feverishly to remove “A Charlie Brown Christmas” from the airwaves and internet shelves. By the incarnation and subsequent work of God’s Son, Jesus Christ, what in Sin was destined for the trash heap might bump into its pricelessness to God. There might be an accidental interlude with the Good News—the message heralding the lengths Christ was willing to go to accomplish humanity’s deliverance. The devil doesn’t want anyone to hear this message. He knows its potential. He knows that a world steeped in hopelessness remains thinly frail against his crushing accusations. But a brush with Christmas might foster a sturdy certainty for eternal life and the muscle to resist him. Satan knows that the Holy Spirit works through the Gospel. As He does, what was woefully small in shame can be raised and made gleefully grand by the all-surpassing mercy of God’s immense love for the loveless.

The devil should be concerned about these things. A collision with Christmas—the happy tidings of the Son of God’s arrival—spells his end while announcing a sinner’s fresh beginning in Jesus. Knowing this, take a chance at steering your family and friends into Christmas’ oncoming joy. Invite them to worship on Christmas Eve and Christmas Day. Bring them to where the power of God unto salvation can and will redress their weary lives with the kind of hope that only Christ can give.

The Christmas Eve services here at Our Savior in Hartland are at 4:30 pm and 10:30 pm. (There will even be a baptism in the 4:30 pm service, which I’m particularly excited about.) The Christmas Day service is at 9:30 am. Near or far, you should make the trek. Come and collide with Christmas. Of course, Satan doesn’t want you to receive such an invitation. In fact, he is likely, right now, trying to convince you to involve yourself with other, more important things. Let that be a clue to the invitation’s worth.

A Brief Pre-Christmas Observation: Solving the Age Old Question

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Having just watched the film “Die Hard” for the third time in less than a week, I can affirm it is, indeed, a Christmas movie, perhaps even more so than many of the assumed classics. And why? Well, not only because it takes place at Christmas, or because countless scenes are adorned with Christmas décor, or the traditional greetings passed between characters, or because, if you are listening, you’ll notice that the entire soundtrack orchestration is quite literally constructed from snippets of favorite Christmas songs, all of which are established on the framework of Beethoven’s “Ode to Joy” (which has become a Christmas favorite for many). It’s not just a Christmas movie for these reasons, but because it speaks of the divine gift of Christ’s birth as being at the heart of the season, and it does this through a character whose very name symbolizes the purpose of the Lord’s birth.

At the 14 minute and 20 second mark, right after an embarrassing interaction between a pompous co-worker, Ellis, and her husband, John McClane, Holly speaks the following line:

“You’ll have to forgive Ellis. He gets very depressed this time of year. He thought he was God’s greatest gift, you know.”

The time of year is Christmas, and for as wonderful as Ellis might think he is, Holly reminds us that Jesus remains God’s greatest gift. And, again, her name. Holly trees have long been used by Christians at Christmas. The evergreen nature of the tree’s leaves symbolizes eternal life won by the newborn Christ child. And how was this eternal life accomplished? The tree’s prickly leaves remind of the crown of thorns, and the deep red berries symbolize the blood shed, both of these taking aim at the reason for the Son of God’s birth: that He might die on the cross for the Sins of the world.

It is settled. “Die Hard” is a Christmas movie.

Summer is Coming

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In case you were wondering, at the time of this writing, there are 184 days until the first official day of summer. You might think I’m saying this because I’m already exhausted by winter. The only problem with your assumption is that winter doesn’t officially begin for two more days. Technically, we’re still in the fall.

Interestingly, to say “still in the fall” is to speak a phrase with more than one connotation, and no matter which you mean, the evidence of its actuality is there in support.

Take a look outside. The trees are bare. The leaves are scattered and damp beneath a recent layer of snow. The air is frigid. The sky is palled with clouds. There’s no arguing that the earth’s current position in relation to the sun is more than a few spins on the planet’s axis away from summer—half a year, to be exact. For me, this is a tiresome knowledge that can only be moderated through artificial means or by deliberate distraction. I keep a sun light in my office. Its light is weirdly simulated, but in the middle of a soul-dampening season that sees the sun disappearing completely sometimes as early as 5:00pm, it helps, even if only a little. In tandem, I stay busily distracted. I find that if I’m not thinking about the sky’s blue potential, I’m not necessarily missing it, and I’m less affected by its current grays.

Of course, there’s another meaning to “still in the fall” that we shouldn’t overlook. It hearkens back to the terminally unfortunate moment recorded in Genesis 3; that swift instant when, through self-inflicted grievousness, Mankind destroyed God’s perfect creation and positioned himself as far from God as physically and spiritually possible. The evidence mirroring this fall is plentiful. It’s all around us, sometimes subtly, and other times obviously. But either way, it is as discoverable as the seasonal image I described before.

It was subtly visible to me a few nights ago while working on a puzzle with Jennifer and the kids. We’d finished a 1,000-piece puzzle, and after a day or so of admiring the fruits of our long-suffering work, within a few minutes, we’d taken it apart and put it back in the box. In other words, what took days to complete was destroyed in seconds. Similarly, it was obvious to all of us by what happened in Mayfield, Kentucky, a town founded in 1824 and home to countless generations of families. In only a few minutes, the town was all but wiped from the map by a tornado.

To be “still in the fall” means that we exist in a world that continues to prove, not only that it is horribly infected by the destructive powers of Sin and Death, but that both it and its inhabitants are completely impotent against being consumed by them. It’s a place where this often plays out in subtle, but sinister, reversals. It’s a place in which one can claim Christianity, but be perfectly fine with cohabitation. Or perhaps cohabitation is admittedly offensive, but so is telling a Christian he or she is a walking contradiction for claiming Christ but only attending worship at Christmas and Easter. This same world is a place in which the bad we hear about someone is easily believed and the good is suspicious. It’s a place where lies easily outpace what’s objectively true. It’s a place where devout self-interest outguns concern for the neighbor. It’s a place in which one little disagreement can cause long term relationships and everything that goes with them to fall like leaves from an autumnal tree, having become completely disposable. It’s a place in which so many things unfold before us as reminders that this world exists in darkness, and no matter how hard we try, there’s no man-made light that can pierce its blanketing madness. There’s no artificial distraction vivid enough to keep its dreary sorrows apart and contained.

Only the real summer sun will do.

The official season of fall will end in a few days. When it does, we’ll cross over into the deathly hibernation of winter. It’s appropriate for Christmas to arrive at this precipice. Right in the middle of a downward dismalness anticipating and becoming Death, a Son is born. And not just any son, but rather the One God promised to send who would free Mankind from Sin, Death, and the devil’s ghastly grip (Genesis 3:16). Only this Son will do. He is God in the flesh. He is the incarnational invasion of God’s summertime love for a dying world filled with inert sinners. His presence is the incontestable assurance of a springtime restoration leading to eternal life—which He intends to be fully realized in the summer-like joy of paradise.

Jesus of Nazareth is this Gospel Son.

I suppose I should end by pointing out that our lives are not absent these wonderful Gospel images during the fall and winter. Sometimes obvious, and sometimes subtle, they’re there. An evergreen is a perfect example. Something that has become an emblem of Christmas, evergreen trees and bushes are subtle reminders accessible to us no matter the season. They remain thickly verdant with life all year long—just like a Christian’s hope born from the promise fulfilled in the Christ-child of Bethlehem. But then there are the obvious snapshots of the Gospel, too: the Word taught and proclaimed, the Absolution of Sins, Holy Baptism, the Lord’s Supper. Although, “snapshot” is probably not the best word to explain these things. These wonderful gifts of God are far more than images. They are tangible invasions of the most holy God—moments He has instituted, moments doused in the divine forgiveness that not only serves us while we are “still in the fall,” but also in place to prepare and then tie us to the promise of an eternal future in God’s heavenly summer.

I pray you will remember these things as you make your way into the Christmas celebration—and the rest of the Church Year, for that matter. Know that God loves you. Know that the Savior born of Mary is the proof. Know by this wonderful celebration that the winter of Sin and Death is not permanent. Summer is coming.